1
00:00:21,939 --> 00:00:22,940
[SHRIEK]

2
00:00:22,940 --> 00:00:22,940
[SHRIEK]

3
00:01:03,447 --> 00:01:05,449
[SHRIEK]

4
00:01:05,449 --> 00:01:05,449
[SHRIEK]

5
00:01:15,459 --> 00:01:17,895
AH HA HA HA
HA HA HA HA!

6
00:01:17,895 --> 00:01:17,895
AH HA HA HA
HA HA HA HA!

7
00:01:24,602 --> 00:01:25,603
7.

8
00:01:26,103 --> 00:01:26,103
7.

9
00:01:27,605 --> 00:01:31,108
HELLO KIDDIES WHAT'S IN YOU?

10
00:01:31,108 --> 00:01:31,108
HELLO KIDDIES WHAT'S IN YOU?

11
00:01:33,611 --> 00:01:36,614
I WAS JUST IN THE MIDDLE
OF MY DEADLY DOZEN.

12
00:01:36,614 --> 00:01:39,116
FIRST I DO A FEW PULL UPS.

13
00:01:39,617 --> 00:01:41,619
THEN A FEW JUMPING HACKS.

14
00:01:41,619 --> 00:01:46,123
THEN I LIKE TO FINISH WITH A
LITTLE DIE IMPACT AEROBICS.

15
00:01:46,123 --> 00:01:46,123
THEN I LIKE TO FINISH WITH A
LITTLE DIE IMPACT AEROBICS.

16
00:01:49,126 --> 00:01:50,628
[GASPING]

17
00:01:50,628 --> 00:01:52,129
8.

18
00:01:52,129 --> 00:01:54,131
I'M GETTING IN SHAPE
FOR TONIGHT'S TALE.

19
00:01:54,131 --> 00:01:56,634
IT'S ABOUT AN AMBITIOUS
YOUNG ACTRESS

20
00:01:56,634 --> 00:01:59,136
WHO'S LOOKING
FOR HER BIG BREAK.

21
00:01:59,136 --> 00:02:00,638
WILL SHE MAKE IT?

22
00:02:01,138 --> 00:02:03,641
ONLY HERSCAREDRESSER
KNOWS FOR SURE.

23
00:02:03,641 --> 00:02:05,643
HA HA HA! OHH...

24
00:02:05,643 --> 00:02:08,145
I CALL THIS DISMAL DRAMA...

25
00:02:08,646 --> 00:02:10,981
BEAUTY REST.

26
00:02:11,482 --> 00:02:11,482
BEAUTY REST.

27
00:02:20,991 --> 00:02:24,495
WHAT'S YOUR FAVORITE PART
OF A WOMAN?

28
00:02:24,995 --> 00:02:26,497
THE NAPE OF HER NECK?

29
00:02:26,997 --> 00:02:26,997
THE NAPE OF HER NECK?

30
00:02:34,505 --> 00:02:36,006
THE LINE OF HER BACK?

31
00:02:36,006 --> 00:02:38,976
OR THE SHAPE
OF HER BREASTS?

32
00:02:38,976 --> 00:02:40,978
OR JUST MAYBE
IT'S HER MIND.

33
00:02:41,512 --> 00:02:42,980
[MUSIC PLAYING]

34
00:02:42,980 --> 00:02:45,516
IT MAY BE A MAN'S WORLD,

35
00:02:45,516 --> 00:02:49,520
BUT THAT DOESN'T MEAN
I HAVE TO TAKE IT LYING DOWN,

36
00:02:50,020 --> 00:02:52,456
BECAUSE I WANT TO COMPETE...

37
00:02:52,456 --> 00:02:54,024
WHETHER I'M A CEO

38
00:02:54,525 --> 00:02:57,027
OR AN M.D. OR AN M.R.S.

39
00:02:57,027 --> 00:03:01,031
I WANT TO BE TAKEN SERIOUSLY...
VERY SERIOUSLY.

40
00:03:01,532 --> 00:03:04,034
THAT'S WHY I NEVER FEEL
FULLY DRESSED

41
00:03:04,535 --> 00:03:08,005
UNTIL I PUT ON BALL BUSTER.

42
00:03:08,005 --> 00:03:10,674
IT'S NOT FOR JUST
ANY WOMAN.

43
00:03:11,175 --> 00:03:13,677
IT'S FOR THE WOMAN
WHO MEANS BUSINESS.

44
00:03:13,677 --> 00:03:13,677
IT'S FOR THE WOMAN
WHO MEANS BUSINESS.

45
00:03:25,189 --> 00:03:26,657
CUT!

46
00:03:26,657 --> 00:03:28,993
DID YOU GET IT?
GOOD.

47
00:03:28,993 --> 00:03:30,828
GENTLEMEN,
HELEN CURTIS.

48
00:03:30,828 --> 00:03:32,830
HELEN,
YOU WERE FABULOUS!

49
00:03:32,830 --> 00:03:33,831
FABULOUS!

50
00:03:33,831 --> 00:03:34,865
REALLY?

51
00:03:34,865 --> 00:03:35,866
YES.

52
00:03:35,866 --> 00:03:35,866
YES.

53
00:03:37,368 --> 00:03:38,369
AH, YES.

54
00:03:38,869 --> 00:03:38,869
AH, YES.

55
00:03:41,338 --> 00:03:43,374
SHE'S OUT OF TOWN.

56
00:03:43,374 --> 00:03:46,377
EMILIO. I'M SORRY.
DID YOU REALLY MEAN THAT?

57
00:03:46,377 --> 00:03:49,847
HELEN, I HAVE BEEN
DIRECTING COMMERCIALS
FOR 20 YEARS,

58
00:03:49,847 --> 00:03:52,349
AND I'VE NEVER HAD
AN ACTRESS

59
00:03:52,349 --> 00:03:54,351
TAKE DIRECTION
LIKE YOU.

60
00:03:54,351 --> 00:03:55,853
NEVER!

61
00:03:55,853 --> 00:03:58,856
IN A SCREEN TEST,
NO LESS! RIGHT?

62
00:03:58,856 --> 00:04:01,358
I ASKED YOU TO SHOW
ME PRICK.

63
00:04:01,859 --> 00:04:04,361
YOU GAVE ME THE
WHOLE GODDAMN WALL!

64
00:04:04,862 --> 00:04:06,363
YOU ARE BRILLIANT!

65
00:04:06,363 --> 00:04:06,363
YOU ARE BRILLIANT!

66
00:04:08,632 --> 00:04:10,434
EXCUSE ME, EMILIO.

67
00:04:10,434 --> 00:04:10,434
EXCUSE ME, EMILIO.

68
00:04:11,936 --> 00:04:14,939
DOES THAT MEAN
I GOT THE PART?

69
00:04:14,939 --> 00:04:17,441
AS I'M CONCERNED,
YOU'RE IT.

70
00:04:17,441 --> 00:04:19,944
YOU ARE
THE BALL BUSTER GIRL.

71
00:04:19,944 --> 00:04:21,445
YOU IT. DONE DEAL.

72
00:04:21,879 --> 00:04:21,879
YOU IT. DONE DEAL.

73
00:04:23,113 --> 00:04:26,617
WHAT DO YOU MEAN,
I DIDN'T GET THE JOB?

74
00:04:26,617 --> 00:04:29,587
RHONDA, YOU TELL HIM
I'D RATHER EAT DRANO

75
00:04:30,120 --> 00:04:33,123
AND JUMP INTO
A BOWL OF PUS, O.K.?

76
00:04:33,624 --> 00:04:34,625
YEAH.

77
00:04:35,125 --> 00:04:35,125
YEAH.

78
00:04:36,627 --> 00:04:38,062
THEY WENT ANOTHER WAY.

79
00:04:38,062 --> 00:04:41,031
BUT THE DIRECTOR SAID
I HAD THE PART.

80
00:04:41,031 --> 00:04:43,033
IT WAS A DONE DEAL.

81
00:04:43,033 --> 00:04:45,536
WELL, THEY UNDID IT.
YOU GOT REAL CLOSE.

82
00:04:45,536 --> 00:04:48,038
I THOUGHT
YOU GAVE UP SMOKING.

83
00:04:48,038 --> 00:04:49,039
I DID.

84
00:04:49,039 --> 00:04:49,039
I DID.

85
00:04:50,541 --> 00:04:54,044
ARCHIE, I'M TIRED
OF BEING THE BRIDESMAID.

86
00:04:54,044 --> 00:04:55,012
[SIGH]

87
00:04:55,546 --> 00:04:57,548
I WAS PERFECT
FOR THAT PART.

88
00:04:57,548 --> 00:04:58,549
IAMTHAT WOMAN.

89
00:04:58,549 --> 00:04:59,850
I KNOW.

90
00:04:59,850 --> 00:05:01,652
YOU ARE THE BALL BUSTER.

91
00:05:01,652 --> 00:05:03,954
IF YOU KNOW WHAT I MEAN?

92
00:05:03,954 --> 00:05:06,924
I'VE BEEN BASHING MY HEAD
AGAINST A WALL FOR 10 YEARS.

93
00:05:06,924 --> 00:05:10,461
AREN'T I ENTITLED TO A BREAK?

94
00:05:10,461 --> 00:05:12,463
I KNOW, I KNOW.

95
00:05:12,463 --> 00:05:12,463
I KNOW, I KNOW.

96
00:05:18,802 --> 00:05:21,805
SO WHO DID GET
THE PART?

97
00:05:21,805 --> 00:05:21,805
SO WHO DID GET
THE PART?

98
00:05:22,806 --> 00:05:23,741
IS IT REALLY IMPORTANT?

99
00:05:23,741 --> 00:05:26,710
WHAT DOES IT MATTER
WHO GOT IT?

100
00:05:26,710 --> 00:05:26,710
WHAT DOES IT MATTER
WHO GOT IT?

101
00:05:28,712 --> 00:05:29,713
BECAUSE I WANT TO KNOW.

102
00:05:29,713 --> 00:05:30,214
BECAUSE I WANT TO KNOW.

103
00:05:32,216 --> 00:05:35,152
HONEY, YOU KNOW WHAT I SAY?

104
00:05:35,653 --> 00:05:38,288
I SAY LOOK TO THE FUTURE.

105
00:05:38,288 --> 00:05:41,725
ARCHIE,
WHO GOT THE PART?
TELL ME.

106
00:05:41,725 --> 00:05:44,228
WHO KNOWS WHY THESE THINGS
GET CAST THE WAY THEY DO.

107
00:05:44,528 --> 00:05:46,764
I'VE BEEN IN THIS
BUSINESS 25 YEARS.

108
00:05:46,764 --> 00:05:48,766
I DON'T UNDERSTAND IT, HUH.

109
00:05:48,766 --> 00:05:51,935
HA HA HA HA HA.

110
00:05:51,935 --> 00:05:55,839
YOUR ROOMMATE JOYCE
GOT THE PART, O.K.?

111
00:05:55,839 --> 00:05:58,676
NOW, DON'T GO
BLOWING THIS THING
OUT OF PROPORTION.

112
00:05:58,676 --> 00:06:01,445
WHAT CAN I SAY?
SHE IMPRESSED
THE DIRECTOR.

113
00:06:01,445 --> 00:06:04,415
WHAT HAPPENED DID HER ORGASM
SHOW SOME ACTING ABILITY?

114
00:06:04,415 --> 00:06:04,415
WHAT HAPPENED DID HER ORGASM
SHOW SOME ACTING ABILITY?

115
00:06:06,417 --> 00:06:07,918
YOU KNOW HOW
SHE GOT THIS PART,
DON'T YOU?

116
00:06:07,918 --> 00:06:10,587
SHE SCREWED THE GUY.

117
00:06:11,121 --> 00:06:12,122
THAT'S NOT FAIR.

118
00:06:12,656 --> 00:06:14,992
RIGHT. SHE'S NOT SLEEPING
HER WAY TO THE TOP.

119
00:06:14,992 --> 00:06:16,493
AT THAT RATE,
WHO SLEEPS?

120
00:06:16,493 --> 00:06:19,229
NO, NO, NO, RHONDA!

121
00:06:19,229 --> 00:06:22,232
TELL HIM
I'LL TURN THE DEAL
INTO DOG FOOD!

122
00:06:22,232 --> 00:06:24,001
YOU GOT IT? GOOD!

123
00:06:24,001 --> 00:06:26,570
YOU KNOW WHAT
YOUR PROBLEM IS?

124
00:06:26,570 --> 00:06:28,572
YOU'VE GOT
A ROTTEN ATTITUDE.

125
00:06:28,572 --> 00:06:30,574
BECAUSE
I WON'T PUT OUT?

126
00:06:30,574 --> 00:06:33,577
BECAUSE I THINK
IT'S WHAT'S INSIDE
THAT COUNTS?

127
00:06:33,577 --> 00:06:37,081
HAVE YOU THOUGHT
MAYBE YOUR ROOMMATE
GETS THESE PARTS

128
00:06:37,081 --> 00:06:39,049
BECAUSE SHE
WANTS THEM MORE?

129
00:06:39,049 --> 00:06:40,584
I WANT THESE PARTS,

130
00:06:40,584 --> 00:06:43,587
BUT THERE ARE
SOME THINGS
I WON'T DO!

131
00:06:43,587 --> 00:06:45,823
FINE!
WHAT WILL YOU DO?

132
00:06:45,823 --> 00:06:48,392
I SHOWEDYOU
WHAT I'M WILLING TO DO.

133
00:06:48,892 --> 00:06:50,394
I FIRED YOUR ASS.

134
00:06:50,394 --> 00:06:51,895
OH!

135
00:06:51,895 --> 00:06:53,897
HELEN, IS THAT YOU?

136
00:06:53,897 --> 00:06:56,900
OH, MY GOD.
I HAVE THE BEST NEWS.

137
00:06:56,900 --> 00:06:58,902
YOU'RE NEVER
GOING TO GUESS

138
00:06:58,902 --> 00:07:00,904
WHAT HAPPENED
TO ME TODAY.

139
00:07:00,904 --> 00:07:04,408
EAT NAIL POLISH AND DIE,
YOU LITTLE BITCH!

140
00:07:04,408 --> 00:07:08,278
GOSH. WHY ARE YOU
IN SUCH A BAD MOOD?

141
00:07:08,278 --> 00:07:11,348
BECAUSE YOU'RE
IN SUCH A GOOD MOOD.

142
00:07:11,348 --> 00:07:11,348
BECAUSE YOU'RE
IN SUCH A GOOD MOOD.

143
00:07:19,723 --> 00:07:21,859
WHAT DO YOU GOT AGAINST
ME HAVING A CAREER?

144
00:07:21,859 --> 00:07:21,859
WHAT DO YOU GOT AGAINST
ME HAVING A CAREER?

145
00:07:23,660 --> 00:07:26,730
WHY DO THE HELL DO
I EAT THIS SHIT.

146
00:07:27,231 --> 00:07:27,231
WHY DO THE HELL DO
I EAT THIS SHIT.

147
00:07:28,732 --> 00:07:31,235
MIGHT AS WELL BE FAT
AND MISERABLE.

148
00:07:31,235 --> 00:07:33,237
HELEN, I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.

149
00:07:33,237 --> 00:07:33,237
HELEN, I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.

150
00:07:35,239 --> 00:07:37,741
WHY IS IT THAT EVERY TIME

151
00:07:37,741 --> 00:07:39,743
SOMEONE GETS CLOSE
TO CASTING ME...

152
00:07:39,743 --> 00:07:39,743
SOMEONE GETS CLOSE
TO CASTING ME...

153
00:07:41,245 --> 00:07:44,014
YOU SUDDENLY SHOW UP
WITH YOUR LEGS SPREAD?

154
00:07:44,014 --> 00:07:46,784
I HAVE NEVER DONE THAT.

155
00:07:46,784 --> 00:07:48,685
AND THAT'S MY ICE CREAM.

156
00:07:48,685 --> 00:07:48,685
AND THAT'S MY ICE CREAM.

157
00:07:50,587 --> 00:07:51,088
SO?

158
00:07:51,588 --> 00:07:51,588
SO?

159
00:07:55,526 --> 00:07:57,494
SO, THAT'S OKAY.

160
00:07:57,494 --> 00:07:59,329
I DIDN'T LIKE THAT
FLAVOR ANYWAY.

161
00:07:59,897 --> 00:07:59,897
I DIDN'T LIKE THAT
FLAVOR ANYWAY.

162
00:08:01,999 --> 00:08:03,433
EEWW!

163
00:08:03,801 --> 00:08:05,836
I WANT YOU OUT
OF THIS APARTMENT.

164
00:08:05,836 --> 00:08:07,938
BUT IT'S MY APARTMENT.

165
00:08:07,938 --> 00:08:07,938
BUT IT'S MY APARTMENT.

166
00:08:11,441 --> 00:08:13,377
GO TO HELL.

167
00:08:13,377 --> 00:08:15,445
HELEN, WOULD YOU
CALM DOWN?

168
00:08:15,445 --> 00:08:17,915
LET'S TALK
ABOUT THIS.

169
00:08:18,448 --> 00:08:21,051
I THOUGHT THAT
WE WERE FRIENDS.

170
00:08:21,051 --> 00:08:22,886
DON'T EVER SAY
"FRIENDS" IN
RELATIONSHIP TO US.

171
00:08:22,886 --> 00:08:23,687
YOU GOT ME?

172
00:08:23,687 --> 00:08:26,657
NO FRIEND WOULD EVER DO
TO ME WHAT YOU DID.

173
00:08:26,657 --> 00:08:29,026
BUT I HAVEN'T
DONE ANYTHING.
I SWEAR IT.

174
00:08:29,426 --> 00:08:30,828
REALLY?

175
00:08:31,328 --> 00:08:33,330
OH, GOOD. DOUGHNUTS.

176
00:08:33,764 --> 00:08:33,764
OH, GOOD. DOUGHNUTS.

177
00:08:35,299 --> 00:08:37,334
WHAT ABOUT
RUBINA'S CAR MART?

178
00:08:37,801 --> 00:08:40,337
WHAT ABOUT
BON VOYAGE CRUISES?

179
00:08:40,337 --> 00:08:43,340
WHAT ABOUT
BALL BUSTER?

180
00:08:43,841 --> 00:08:45,843
IT'S LIKE COMPETING
WITH A SPERM BANK.

181
00:08:46,376 --> 00:08:46,877
BALL BUSTER?

182
00:08:47,377 --> 00:08:50,547
YOU MEAN
I GOT BALL BUSTER?

183
00:08:51,114 --> 00:08:53,116
HA HA HA. YES!

184
00:08:53,116 --> 00:08:55,118
YOU DIDN'T EVEN KNOW?

185
00:08:55,118 --> 00:08:55,118
YOU DIDN'T EVEN KNOW?

186
00:08:57,621 --> 00:08:59,623
THEN WHAT THE HELL

187
00:08:59,623 --> 00:09:02,159
ARE YOU SO DAMNED
HAPPY ABOUT?

188
00:09:02,159 --> 00:09:05,262
YOU KNOW THIS GUY
I'VE BEEN SEEING--TOM?

189
00:09:05,262 --> 00:09:08,265
WELL, HE'S IN CHARGE
OF THIS BEAUTY PAGEANT

190
00:09:08,265 --> 00:09:10,534
FOR SOME TRADE SHOW
OR SOMETHING,

191
00:09:10,534 --> 00:09:14,104
AND, WELL, HE'S GOING
TO MAKE ME THE WINNER.

192
00:09:14,104 --> 00:09:17,174
SEE, HE GAVE ME
THIS NOTE, AND...

193
00:09:17,174 --> 00:09:18,675
UHH...

194
00:09:19,176 --> 00:09:21,178
YOU MAKE ME SICK.

195
00:09:21,678 --> 00:09:24,481
YOU MAKE ME
SO SICK.

196
00:09:24,481 --> 00:09:25,983
IT'S NOT WHAT
YOU'RE THINKING.

197
00:09:26,483 --> 00:09:28,218
I REALLY LIKE
THIS GUY.

198
00:09:28,218 --> 00:09:30,053
THAT'S WHAT
THE NOTE SAYS?

199
00:09:30,053 --> 00:09:34,324
NO. THE NOTE'S
FOR THE GUY EMCEEING
THE PAGEANT--GEORGE.

200
00:09:34,324 --> 00:09:36,326
DON'T TALK TO ME.

201
00:09:36,326 --> 00:09:38,428
JOYCE, DON'T TALK TO ME.

202
00:09:38,428 --> 00:09:40,397
JUST DON'T TALK TO ME!

203
00:09:40,964 --> 00:09:40,964
JUST DON'T TALK TO ME!

204
00:09:57,481 --> 00:09:59,549
[ DEMONIC WHISPERING ]

205
00:10:00,050 --> 00:10:00,050
[ DEMONIC WHISPERING ]

206
00:10:24,741 --> 00:10:25,742
HI.

207
00:10:25,742 --> 00:10:25,742
HI.

208
00:10:30,747 --> 00:10:31,748
JOYCE.

209
00:10:32,249 --> 00:10:32,249
JOYCE.

210
00:10:35,752 --> 00:10:37,754
I BROUGHT A LITTLE
PEACE OFFERING.

211
00:10:37,754 --> 00:10:37,754
I BROUGHT A LITTLE
PEACE OFFERING.

212
00:10:38,755 --> 00:10:40,757
REALLY.

213
00:10:40,757 --> 00:10:42,759
THAT'S SO SWEET
OF YOU.

214
00:10:42,759 --> 00:10:42,759
THAT'S SO SWEET
OF YOU.

215
00:10:44,761 --> 00:10:46,763
I'M SORRY.

216
00:10:46,763 --> 00:10:49,933
I--I GUESS I JUST
GOT FRUSTRATED.

217
00:10:49,933 --> 00:10:53,003
YOU KNOW I BEEN PLUGGING
AWAY AT IT FOR SO LONG...

218
00:10:53,003 --> 00:10:56,239
I GOT SO LITTLE
TO SHOW FOR IT.

219
00:10:56,239 --> 00:11:00,277
AND YOU JUST WALTZ IN HERE
WITH NOT ONE JOB BUT TWO.

220
00:11:00,777 --> 00:11:00,777
AND YOU JUST WALTZ IN HERE
WITH NOT ONE JOB BUT TWO.

221
00:11:19,229 --> 00:11:20,230
HEY...

222
00:11:20,230 --> 00:11:20,230
HEY...

223
00:11:21,732 --> 00:11:22,733
IT'S O.K.

224
00:11:22,733 --> 00:11:22,733
IT'S O.K.

225
00:11:28,238 --> 00:11:30,240
I KNOW
HOW YOU FEEL.

226
00:11:30,741 --> 00:11:32,109
THANKS.

227
00:11:32,442 --> 00:11:34,778
WOULD YOU MIND
GETTING MY NECKLACE?

228
00:11:35,112 --> 00:11:36,179
OH, SURE.

229
00:11:36,179 --> 00:11:36,179
OH, SURE.

230
00:11:39,182 --> 00:11:42,185
BOY, THIS IS, UH...
THIS IS REALLY
BEAUTIFUL.

231
00:11:42,185 --> 00:11:43,186
THANK YOU.

232
00:11:43,186 --> 00:11:46,690
THE TRUTH IS,
I REALLY ADMIRE
YOUR ABILITY

233
00:11:46,690 --> 00:11:48,125
TO GET
WHAT YOU WANT.

234
00:11:48,558 --> 00:11:52,129
DO YOU GET ANY MONEY
FOR WINNING THIS CONTEST?

235
00:11:52,129 --> 00:11:54,131
UH...

236
00:11:54,131 --> 00:11:56,133
I THINK, UM...

237
00:11:56,133 --> 00:11:58,602
I THINK THE WINNER
GETS, UM...

238
00:11:59,036 --> 00:11:59,036
I THINK THE WINNER
GETS, UM...

239
00:12:01,104 --> 00:12:02,472
[SIGHS]

240
00:12:02,806 --> 00:12:02,806
[SIGHS]

241
00:12:04,374 --> 00:12:06,676
THEY GET TO BE,
LIKE,

242
00:12:06,910 --> 00:12:08,979
THE SPOKESPERSON
FOR THE COMPANY.

243
00:12:08,979 --> 00:12:10,981
SOMETHING LIKE
THAT, YOU KNOW?

244
00:12:10,981 --> 00:12:12,983
OH, REALLY?
THAT'S INTERESTING.

245
00:12:12,983 --> 00:12:14,985
UM, WHAT'S IT FOR?

246
00:12:14,985 --> 00:12:14,985
UM, WHAT'S IT FOR?

247
00:12:18,488 --> 00:12:22,125
YOU KNOW, I THINK
I FORGOT TO ASK.

248
00:12:22,125 --> 00:12:24,428
HA HA HA. YOU.

249
00:12:24,428 --> 00:12:27,297
ISN'T THAT SILLY OF ME?

250
00:12:27,531 --> 00:12:30,434
HA HA HA HA HA!

251
00:12:30,700 --> 00:12:30,700
HA HA HA HA HA!

252
00:12:36,306 --> 00:12:38,408
OOH. HA HA HA!

253
00:12:38,408 --> 00:12:38,408
OOH. HA HA HA!

254
00:12:53,990 --> 00:12:57,694
YEAH. I'LL MAKE SURE
SHE GETS IT, GEORGE.

255
00:12:57,694 --> 00:12:59,262
SWEET DREAMS,
YOU LITTLE TRAMP.

256
00:12:59,763 --> 00:13:02,265
BY THE TIME
YOU WAKE UP,

257
00:13:02,265 --> 00:13:04,768
YOUR SPOKESMODELING JOB
WILL BE MINE.

258
00:13:04,768 --> 00:13:07,904
NOW, I WANT YOU
TO TAKE IT EASY.

259
00:13:07,904 --> 00:13:10,507
BY THE TIME
I GET...BACK...

260
00:13:10,507 --> 00:13:10,507
BY THE TIME
I GET...BACK...

261
00:13:13,276 --> 00:13:14,344
JOYCE?

262
00:13:14,845 --> 00:13:14,845
JOYCE?

263
00:13:22,385 --> 00:13:23,320
JOYCE?

264
00:13:23,887 --> 00:13:23,887
JOYCE?

265
00:13:34,898 --> 00:13:35,899
GOD.

266
00:13:36,399 --> 00:13:37,400
OH, GOD.

267
00:13:37,901 --> 00:13:37,901
OH, GOD.

268
00:13:41,404 --> 00:13:42,405
[GASPS]

269
00:13:42,405 --> 00:13:42,405
[GASPS]

270
00:13:45,408 --> 00:13:46,910
DON'T BE DEAD.

271
00:13:47,410 --> 00:13:47,410
DON'T BE DEAD.

272
00:13:48,912 --> 00:13:51,081
PLEASE DON'T BE DEAD.

273
00:13:51,081 --> 00:13:51,081
PLEASE DON'T BE DEAD.

274
00:13:52,649 --> 00:13:53,650
THIS...

275
00:13:53,650 --> 00:13:53,650
THIS...

276
00:13:55,852 --> 00:13:57,921
THIS IS NOT MY FAULT!

277
00:13:58,421 --> 00:13:58,421
THIS IS NOT MY FAULT!

278
00:14:02,425 --> 00:14:04,928
I'M NOT GOING
TO JAIL FOR YOU.

279
00:14:05,428 --> 00:14:06,930
YOU DON'T DESERVE IT.

280
00:14:07,430 --> 00:14:08,932
I'D RATHER
KILL MYSELF.

281
00:14:09,432 --> 00:14:09,432
I'D RATHER
KILL MYSELF.

282
00:14:16,773 --> 00:14:18,842
[IMITATING JOYCE]
"THE DIRECTION MY LIFE
HAS BEEN GOING IN

283
00:14:18,842 --> 00:14:21,311
"HAS BEEN DOWNHILL
FOR SO LONG...

284
00:14:21,311 --> 00:14:22,846
"I CAN'T TAKE IT,

285
00:14:22,846 --> 00:14:25,682
AND SO I'M TOO DEPRESSED
TO GO ON LIVING ANYMORE."

286
00:14:26,249 --> 00:14:27,751
[AS HERSELF]
THE END.

287
00:14:27,751 --> 00:14:27,751
[AS HERSELF]
THE END.

288
00:14:30,754 --> 00:14:32,956
WHY WOULDN'T YOU
BE DEPRESSED?

289
00:14:32,956 --> 00:14:35,458
YOU TALKED ALL THE TIME
ABOUT KILLING YOURSELF.

290
00:14:35,458 --> 00:14:35,458
YOU TALKED ALL THE TIME
ABOUT KILLING YOURSELF.

291
00:14:36,960 --> 00:14:38,962
THAT'S WHAT I'LL
TELL THE POLICE.

292
00:14:38,962 --> 00:14:42,465
WHEN THEY HEAR WHAT
A SLEAZY REPUTATION YOU HAD.

293
00:14:42,465 --> 00:14:45,001
THEY'LL PROBABLY WONDER WHY
YOU DIDN'T OFF YOURSELF SOONER.

294
00:14:45,001 --> 00:14:45,001
THEY'LL PROBABLY WONDER WHY
YOU DIDN'T OFF YOURSELF SOONER.

295
00:15:06,456 --> 00:15:08,959
HI, I'M LOOKING FOR GEORGE.

296
00:15:08,959 --> 00:15:08,959
HI, I'M LOOKING FOR GEORGE.

297
00:15:11,461 --> 00:15:13,363
GREAT, THANKS.

298
00:15:13,363 --> 00:15:14,864
I HAVE AN HOUR?

299
00:15:14,864 --> 00:15:14,864
I HAVE AN HOUR?

300
00:15:16,833 --> 00:15:18,868
THAT'S RIGHT, MISS PALMER.

301
00:15:18,868 --> 00:15:22,839
AT 7 THE PAGEANT BEGINS WITH
THE REVIEW OF THE CONTESTANTS.

302
00:15:22,839 --> 00:15:26,876
AND THEN
WE DO BALL GOWNS,
THEN THE SWIMSUITS,

303
00:15:26,876 --> 00:15:29,879
THEN THE INTERVIEWS,
AND THEN THE JUDGING.

304
00:15:29,879 --> 00:15:31,881
WHO EXACTLY
IS JUDGING THIS?

305
00:15:31,881 --> 00:15:34,384
A PANEL OF EXPERTS,
OF COURSE.

306
00:15:34,384 --> 00:15:35,885
EXCUSE ME.

307
00:15:35,885 --> 00:15:36,886
I'M SORRY.

308
00:15:36,886 --> 00:15:38,388
ARE--ARE YOU GEORGE?

309
00:15:38,388 --> 00:15:40,390
THAT'S RIGHT.
AND YOU ARE...

310
00:15:40,390 --> 00:15:44,361
ACTUALLY, IF I COULD
TALK TO YOU PRIVATELY
FOR A MOMENT...

311
00:15:44,361 --> 00:15:45,395
OF COURSE.

312
00:15:45,395 --> 00:15:45,395
OF COURSE.

313
00:15:46,396 --> 00:15:48,398
DID THAT ANSWER
YOUR QUESTION?

314
00:15:48,865 --> 00:15:50,900
YES. THANK YOU, GEORGE.
YOU'RE SWEET.

315
00:15:50,900 --> 00:15:51,401
YES. THANK YOU, GEORGE.
YOU'RE SWEET.

316
00:15:55,238 --> 00:15:58,608
I THINK I SHOULD
SHOW YOU THIS FIRST.

317
00:15:58,608 --> 00:15:58,608
I THINK I SHOULD
SHOW YOU THIS FIRST.

318
00:16:06,616 --> 00:16:08,118
TOM GAVE YOU THIS?

319
00:16:08,118 --> 00:16:09,119
MM-HMM.

320
00:16:09,119 --> 00:16:09,119
MM-HMM.

321
00:16:12,622 --> 00:16:16,126
WELL, IF THAT'S
WHAT TOM WANTS...

322
00:16:16,126 --> 00:16:17,627
REALLY?

323
00:16:17,627 --> 00:16:19,629
I CAN WORK
WITH IT.

324
00:16:19,629 --> 00:16:20,630
O.K.

325
00:16:20,630 --> 00:16:21,631
OH, WHAT THE HELL.

326
00:16:21,631 --> 00:16:25,635
KNOWING WHO THE WINNER
IS GOING TO BE NOW

327
00:16:25,635 --> 00:16:29,139
MEANS THAT THE CREW
CAN SET UP

328
00:16:29,139 --> 00:16:32,142
FOR THE GRAND FINALE
THAT MUCH QUICKER.

329
00:16:32,142 --> 00:16:32,142
FOR THE GRAND FINALE
THAT MUCH QUICKER.

330
00:16:34,611 --> 00:16:37,647
HAVE YOU KNOWN TOM
A LONG TIME?

331
00:16:37,647 --> 00:16:40,650
NO. JUST...
JUST THAT ONCE.

332
00:16:40,650 --> 00:16:40,650
NO. JUST...
JUST THAT ONCE.

333
00:16:42,652 --> 00:16:45,155
HA HA HA!
THAT TOM.

334
00:16:45,155 --> 00:16:45,155
HA HA HA!
THAT TOM.

335
00:16:46,656 --> 00:16:50,160
I LIKE A GIRL WITH
YOUR...QUALITIES.

336
00:16:50,160 --> 00:16:51,661
THANK YOU.

337
00:16:51,661 --> 00:16:54,164
LET'S PUT YOU
IN DRESSING ROOM 7.

338
00:16:54,164 --> 00:16:55,665
FIRST DOOR
ON THE RIGHT.

339
00:16:55,665 --> 00:16:57,133
GEORGE, THANK YOU.

340
00:16:57,133 --> 00:16:57,133
GEORGE, THANK YOU.

341
00:17:10,480 --> 00:17:13,483
HI. YOU MUST BE
MY NEXT-DOOR NEIGHBOR.

342
00:17:13,983 --> 00:17:15,485
I KNOW WHAT
YOU'RE DOING,

343
00:17:15,985 --> 00:17:17,987
AND I THINK
IT'S DISGUSTING.

344
00:17:18,321 --> 00:17:19,656
WHAT?

345
00:17:19,656 --> 00:17:23,560
NOT THAT THIS CONTEST
IS A BIG DEAL TO ME,

346
00:17:24,060 --> 00:17:26,062
BUT EVEN IF IT WAS,
I WOULDN'T STOOP
TO YOUR LEVEL.

347
00:17:26,062 --> 00:17:28,565
I WOULDN'T FUCK SOME STRANGER
JUST TO GET A BREAK.

348
00:17:28,565 --> 00:17:28,932
I WOULDN'T FUCK SOME STRANGER
JUST TO GET A BREAK.

349
00:17:30,300 --> 00:17:32,302
UP YOURS.

350
00:17:32,302 --> 00:17:35,472
YOU DON'T KNOW WHAT
YOU'RE TALKING ABOUT.

351
00:17:35,472 --> 00:17:37,640
I KNOW YOU SLEPT WITH TOM
SO YOU COULD WIN THIS THING.

352
00:17:37,640 --> 00:17:37,640
I KNOW YOU SLEPT WITH TOM
SO YOU COULD WIN THIS THING.

353
00:17:38,942 --> 00:17:42,345
LOOK, IT'S NOT WHAT YOU THINK.

354
00:17:42,345 --> 00:17:45,815
I BET IT'S WORSE
THAN WHAT I THINK.

355
00:17:45,815 --> 00:17:47,617
PROBABLY UNSAFE SEX.

356
00:17:47,617 --> 00:17:50,787
WHO ARE YOU
TO COME IN HERE
AND GIVE ME--

357
00:17:50,787 --> 00:17:52,288
OH, I'M SORRY.

358
00:17:52,288 --> 00:17:53,757
IT'S O.K.

359
00:17:53,757 --> 00:17:55,291
I'M JUST LEAVING.

360
00:17:55,792 --> 00:17:55,792
I'M JUST LEAVING.

361
00:17:58,261 --> 00:18:00,797
YOU KNOW, HONEY,
TWO CAN PLAY THIS GAME.

362
00:18:01,297 --> 00:18:01,297
YOU KNOW, HONEY,
TWO CAN PLAY THIS GAME.

363
00:18:05,268 --> 00:18:08,004
YOU TWO GIRLS
GOT A PROBLEM?

364
00:18:08,004 --> 00:18:10,373
NO. NO.
WE'RE OLD FRIENDS.

365
00:18:10,673 --> 00:18:10,673
NO. NO.
WE'RE OLD FRIENDS.

366
00:18:11,741 --> 00:18:12,742
WE NEED TO SEE YOU
IN YOUR COSTUME,

367
00:18:12,742 --> 00:18:15,745
CHECK IT AGAINST THE LIGHTS
FOR THE GRAND FINALE.

368
00:18:15,745 --> 00:18:17,714
O.K.

369
00:18:17,714 --> 00:18:18,715
OH, GEORGE?

370
00:18:19,249 --> 00:18:21,084
I DON'T WANT
TO SOUND STUPID,

371
00:18:21,084 --> 00:18:24,053
BUT WHEN I BECOME
THE COMPANY SPOKESMODEL,

372
00:18:24,053 --> 00:18:26,456
WHAT EXACTLY
WILL I BE SELLING?

373
00:18:26,456 --> 00:18:30,960
WELL, MORE THAN ANYTHING ELSE,
YOU'LL BE SELLING YOURSELF,

374
00:18:30,960 --> 00:18:34,464
WHO YOU ARE...INSIDE.

375
00:18:34,464 --> 00:18:34,464
WHO YOU ARE...INSIDE.

376
00:18:35,832 --> 00:18:38,134
THAT'S REALLY POETIC.

377
00:18:38,134 --> 00:18:39,135
THANKS.

378
00:18:39,135 --> 00:18:39,135
THANKS.

379
00:18:40,537 --> 00:18:43,907
GEORGE: WAS YOU LAST
DAY ON EARTH?

380
00:18:43,907 --> 00:18:45,875
I'VE ALWAYS BEEN A NATURAL
KIND OF A GIRL,

381
00:18:46,409 --> 00:18:47,844
SO I SUPPOSE I'D GO
TO THE COUNTRY.

382
00:18:47,844 --> 00:18:50,413
AND I'D LOOK AT THE
FLOWERS AND THE TREES,

383
00:18:50,413 --> 00:18:52,916
AND THE MOUNTAINS
AND THE FRESH AIR.

384
00:18:52,916 --> 00:18:56,419
OF COURSE I COULDN'T SEE
THE AIR BECAUSE IT'S INVISIBLE.

385
00:18:56,419 --> 00:19:00,423
BUT I'D BREATH AS MUCH
OF IT AS I COULD.

386
00:19:00,423 --> 00:19:01,424
AND THAT'S WHAT I'D DO

387
00:19:01,424 --> 00:19:03,426
IF TODAY WAS MY
LAST DAY ON EARTH.

388
00:19:03,927 --> 00:19:06,429
THANK YOU, SHEILA.

389
00:19:06,429 --> 00:19:09,432
LET'S HEAR IT FOR CONTESTANT
NUMBER EIGHT, SHEILA.

390
00:19:09,933 --> 00:19:11,634
[ APPLAUSE ]

391
00:19:12,135 --> 00:19:12,135
[ APPLAUSE ]

392
00:19:14,537 --> 00:19:15,538
THANK YOU, SHEILA.

393
00:19:15,538 --> 00:19:16,039
THANK YOU, SHEILA.

394
00:19:17,040 --> 00:19:18,541
AND NOW LADIES AND GENTLEMAN

395
00:19:18,541 --> 00:19:21,044
FOR OUR LAST CONTESTANT
OF THE EVENING.

396
00:19:21,044 --> 00:19:24,047
WON'T YOU GIVE A WARM
ROUND OF APPLAUSE

397
00:19:24,047 --> 00:19:25,548
FOR HELEN.

398
00:19:25,548 --> 00:19:28,251
[ APPLAUSE ]

399
00:19:28,251 --> 00:19:28,251
[ APPLAUSE ]

400
00:19:35,792 --> 00:19:37,794
HOW ARE YOU
TONIGHT, HELEN?

401
00:19:37,794 --> 00:19:40,363
I'M FINE. VERY HAPPY
TO BE HERE.

402
00:19:40,363 --> 00:19:42,365
ARE YOU READY
FOR YOUR QUESTION?

403
00:19:42,365 --> 00:19:43,867
YES, I AM.

404
00:19:43,867 --> 00:19:45,835
O.K.

405
00:19:45,835 --> 00:19:47,871
TELL US THEN, HELEN,

406
00:19:47,871 --> 00:19:50,874
"IN YOUR LIFE,
WHAT IS THE ONE THING

407
00:19:50,874 --> 00:19:53,877
"YOU FEEL MOST GUILTY
ABOUT DOING,

408
00:19:53,877 --> 00:19:56,746
AND WHY DID YOU DO IT?"

409
00:19:56,746 --> 00:19:59,415
[AUDIENCE MURMURS
AND LAUGHS]

410
00:19:59,415 --> 00:19:59,415
[AUDIENCE MURMURS
AND LAUGHS]

411
00:20:00,483 --> 00:20:02,485
THE, UH...

412
00:20:02,485 --> 00:20:02,986
THE, UH...

413
00:20:04,487 --> 00:20:06,990
WHAT MAKES YOU THINK
I'M GUILTY?

414
00:20:06,990 --> 00:20:09,993
WE'VE ALL DONE
BAD THINGS IN OUR LIVES,

415
00:20:09,993 --> 00:20:11,694
HAVEN'T WE, GEORGE?

416
00:20:11,694 --> 00:20:11,694
HAVEN'T WE, GEORGE?

417
00:20:13,263 --> 00:20:15,298
BUT I HAVE NO REGRETS,

418
00:20:15,298 --> 00:20:18,868
BECAUSE, NO MATTER WHAT,
I'VE BEEN TRUE TO MYSELF,

419
00:20:18,868 --> 00:20:22,872
AND AFTER ALL, IT'S
WHAT'S INSIDE THAT COUNTS.

420
00:20:22,872 --> 00:20:24,707
RIGHT?

421
00:20:24,707 --> 00:20:26,776
GOOD ANSWER, HELEN!

422
00:20:26,776 --> 00:20:28,778
LET'S HEAR IT
FOR HELEN,

423
00:20:28,778 --> 00:20:29,779
AND LET'S HEAR IT

424
00:20:30,280 --> 00:20:32,549
FOR ALL OUR FINE
YOUNG CONTESTANTS.

425
00:20:32,549 --> 00:20:34,617
[APPLAUSE]

426
00:20:34,617 --> 00:20:34,617
[APPLAUSE]

427
00:20:40,490 --> 00:20:42,058
AND NOW,
LADIES AND GENTLEMEN,

428
00:20:42,058 --> 00:20:44,561
THE JUDGES WILL MAKE
THEIR DECISION,

429
00:20:44,561 --> 00:20:46,563
AND IN A FEW MINUTES,

430
00:20:46,563 --> 00:20:49,566
THE WINNER OF OUR PAGEANT
WILL APPEAR

431
00:20:49,566 --> 00:20:51,134
IN THE GRAND FINALE.

432
00:20:51,134 --> 00:20:52,702
[APPLAUSE]

433
00:20:52,702 --> 00:20:52,702
[APPLAUSE]

434
00:20:59,976 --> 00:21:02,979
SHOULD I WEAR
THE HEADDRESS
FOR THE FINALE?

435
00:21:03,479 --> 00:21:04,948
DON'T WORRY
ABOUT IT.

436
00:21:04,948 --> 00:21:04,948
DON'T WORRY
ABOUT IT.

437
00:21:07,984 --> 00:21:10,486
GEORGE.

438
00:21:10,486 --> 00:21:13,957
WHAT THE HELL
KIND OF QUESTION
WAS THAT?

439
00:21:13,957 --> 00:21:15,458
WE HAVE TO TALK.

440
00:21:15,992 --> 00:21:15,992
WE HAVE TO TALK.

441
00:21:21,030 --> 00:21:24,500
THIS NOTE...
IT DOESN'T EXIST.

442
00:21:24,500 --> 00:21:24,500
THIS NOTE...
IT DOESN'T EXIST.

443
00:21:26,035 --> 00:21:28,037
IT NEVER EXISTED.

444
00:21:28,037 --> 00:21:30,039
I'M SORRY.

445
00:21:30,039 --> 00:21:32,041
WAIT A MINUTE.

446
00:21:32,041 --> 00:21:34,544
DOES THIS MEAN
I DON'T WIN?

447
00:21:34,544 --> 00:21:38,047
IT'S THAT BITCH
DRUSILLA, ISN'T IT?

448
00:21:38,047 --> 00:21:40,550
IT'S OUT OF
MY HANDS, HONEY.

449
00:21:40,550 --> 00:21:40,550
IT'S OUT OF
MY HANDS, HONEY.

450
00:21:42,552 --> 00:21:44,053
IT'S OUT OF YOUR PANTS,
YOU MEAN.

451
00:21:44,053 --> 00:21:44,053
IT'S OUT OF YOUR PANTS,
YOU MEAN.

452
00:21:54,230 --> 00:21:56,466
HOW DOES IT FEEL
TO BE A WHORE?

453
00:21:56,466 --> 00:21:58,835
AND A HYPOCRITE.

454
00:21:58,835 --> 00:22:00,236
HYPOCRITE?

455
00:22:00,236 --> 00:22:00,236
HYPOCRITE?

456
00:22:02,238 --> 00:22:03,740
I'M IMPRESSED.

457
00:22:03,740 --> 00:22:06,142
THAT'S A BIG WORD FOR
A LITTLE SLUT LIKE YOU.

458
00:22:06,142 --> 00:22:07,543
I'M A SLUT?

459
00:22:07,543 --> 00:22:10,546
THAT'S THE POT CALLING THE
KETTLE BLACK, DON'T YOU THINK?

460
00:22:10,546 --> 00:22:13,549
YOU FUCKED HIM TO WIN
THE CONTEST, DIDN'T YOU?

461
00:22:13,549 --> 00:22:17,553
YEP. YOU COULD SAY THAT.

462
00:22:17,553 --> 00:22:22,458
YOU SHOULD'VE SEEN
GEORGE'S EXPRESSION WHEN
I SAID I'D SUE HIM.

463
00:22:22,458 --> 00:22:22,458
YOU SHOULD'VE SEEN
GEORGE'S EXPRESSION WHEN
I SAID I'D SUE HIM.

464
00:22:23,860 --> 00:22:25,862
SUE HIM?

465
00:22:25,862 --> 00:22:27,363
FOR SEXUAL HARASSMENT.

466
00:22:27,864 --> 00:22:29,365
I TOLD HIM
I'D CALL THE POLICE,

467
00:22:29,365 --> 00:22:31,367
CALL THE NEWSPAPERS.

468
00:22:31,367 --> 00:22:36,105
THIS BUSINESS OF SLEEPING WITH
SOMEONE TO WIN IS BULLSHIT.

469
00:22:36,105 --> 00:22:36,105
THIS BUSINESS OF SLEEPING WITH
SOMEONE TO WIN IS BULLSHIT.

470
00:22:37,607 --> 00:22:40,610
I BET GIRLS LIKE YOU
LOVE THE CASTING COUCH.

471
00:22:40,610 --> 00:22:45,081
DEGRADING SEX WITH SOME
SWEATY STRANGER

472
00:22:45,081 --> 00:22:47,383
IS PROBABLY EASIER
THAN MEMORIZING LINES.

473
00:22:47,383 --> 00:22:48,751
BUT I-I...

474
00:22:49,185 --> 00:22:49,752
SPARE ME.

475
00:22:50,253 --> 00:22:52,755
I KNOW
ALL ABOUT THE NOTE.

476
00:22:52,755 --> 00:22:55,458
LOOK, THERE'S SOMETHING
YOU DON'T UNDERSTAND.

477
00:22:55,458 --> 00:22:58,461
THAT NOTE--
IT WASN'T MINE.

478
00:22:58,461 --> 00:23:01,297
I'M NOT
THAT KIND OF GIRL.

479
00:23:01,297 --> 00:23:04,801
OH, YEAH. SO WHAT KIND
OF GIRL ARE YOU?

480
00:23:04,801 --> 00:23:04,801
OH, YEAH. SO WHAT KIND
OF GIRL ARE YOU?

481
00:23:09,639 --> 00:23:11,140
UHH!

482
00:23:11,140 --> 00:23:11,140
UHH!

483
00:23:13,109 --> 00:23:14,143
[CHOKING]

484
00:23:14,143 --> 00:23:14,143
[CHOKING]

485
00:23:15,645 --> 00:23:18,147
I'M THIS KIND OF GIRL.

486
00:23:18,147 --> 00:23:18,147
I'M THIS KIND OF GIRL.

487
00:23:21,918 --> 00:23:23,953
[GLASS SMASHES]

488
00:23:23,953 --> 00:23:23,953
[GLASS SMASHES]

489
00:23:26,989 --> 00:23:28,491
NICE LOOK, BABE.

490
00:23:28,491 --> 00:23:30,493
THAT SUITS YOU.

491
00:23:30,493 --> 00:23:30,493
THAT SUITS YOU.

492
00:23:31,494 --> 00:23:32,528
[DOOR OPENS]

493
00:23:32,528 --> 00:23:32,528
[DOOR OPENS]

494
00:23:42,605 --> 00:23:45,108
HAVE YOU SEEN
DRUSILLA?

495
00:23:45,108 --> 00:23:48,111
UH, DRUSILLA?
NO. SHE LEFT.

496
00:23:48,111 --> 00:23:49,612
SHE LEFT?

497
00:23:49,612 --> 00:23:52,115
WHAT DO YOU MEAN,
SHE LEFT?

498
00:23:52,115 --> 00:23:54,617
WELL, I WAS
TALKING TO HER,

499
00:23:54,617 --> 00:23:56,619
AND, UH, SHE CHANGED
HER MIND...

500
00:23:56,619 --> 00:23:59,622
YOU KNOW, ABOUT
THAT THREAT SHE MADE.

501
00:23:59,622 --> 00:24:03,126
SHE DECIDED IT
WASN'T WORTH GETTING
CHOKED UP ABOUT,

502
00:24:03,126 --> 00:24:05,061
SO SHE LEFT.

503
00:24:05,061 --> 00:24:07,130
THAT WORKS FOR ME.

504
00:24:07,130 --> 00:24:10,133
YOU STILL INTERESTED
IN WINNING THIS THING?

505
00:24:10,133 --> 00:24:12,635
YOU BET I AM.

506
00:24:12,635 --> 00:24:14,637
I LIKE YOUR ATTITUDE.

507
00:24:15,138 --> 00:24:15,138
I LIKE YOUR ATTITUDE.

508
00:24:36,626 --> 00:24:38,127
WORK FAST, RUDY.

509
00:24:38,127 --> 00:24:39,629
DON'T I ALWAYS?

510
00:24:39,629 --> 00:24:41,631
OPEN YOUR ROBE.

511
00:24:41,631 --> 00:24:43,132
OH!

512
00:24:43,132 --> 00:24:43,132
OH!

513
00:25:01,517 --> 00:25:03,519
GREAT BONE STRUCTURE.

514
00:25:03,920 --> 00:25:04,987
THANKS.

515
00:25:04,987 --> 00:25:04,987
THANKS.

516
00:25:10,426 --> 00:25:12,261
I WASN'T TALKING TO YOU.

517
00:25:12,495 --> 00:25:14,964
I THOUGHT WE WERE GOING
FOR THE NATURAL LOOK,

518
00:25:14,964 --> 00:25:17,767
OR DOESN'T MY OPINION
MEAN ANYTHING?

519
00:25:17,767 --> 00:25:20,870
OF COURSE
YOUR OPINION COUNTS.
YOU'RE PART OF THE TEAM.

520
00:25:20,870 --> 00:25:23,339
WAIT. THIS IS TOO HEAVY.
IT WON'T LOOK RIGHT.

521
00:25:23,706 --> 00:25:25,608
GET YOUR HAND AWAY.

522
00:25:25,608 --> 00:25:29,879
I'M REALLY FINE WITH
DOING MY OWN MAKE-UP.

523
00:25:29,879 --> 00:25:31,948
THIS IS THE LAST YEAR
I'M DOING THIS.

524
00:25:32,448 --> 00:25:34,817
THIS WHOLE
BEAUTY PAGEANT THING
MAKES ME THROW UP.

525
00:25:35,117 --> 00:25:37,386
WE SHOULD JUST TAKE THEM
OFF THE STREETS LIKE BEFORE.

526
00:25:37,386 --> 00:25:39,856
RUDY, RUDY, RUDY.

527
00:25:39,856 --> 00:25:39,856
RUDY, RUDY, RUDY.

528
00:25:43,993 --> 00:25:47,396
GEORGE, WOULD YOU
MAKE HIM STOP.

529
00:25:47,396 --> 00:25:51,033
HOW CAN I MODEL ANYTHING
LOOKING LIKE THIS?

530
00:25:51,300 --> 00:25:53,169
I WOULDN'T WORRY
ABOUT THAT.

531
00:25:53,169 --> 00:25:55,471
OH, GOD. NO!

532
00:25:55,471 --> 00:25:57,440
NO!

533
00:25:57,440 --> 00:25:58,875
NO! NO!

534
00:25:58,875 --> 00:26:02,378
YOU'RE GOING TO LOOK
JUST FINE.

535
00:26:02,378 --> 00:26:03,713
OH!

536
00:26:03,713 --> 00:26:10,853
AAAAAHHHH!

537
00:26:10,853 --> 00:26:10,853
AAAAAHHHH!

538
00:26:20,162 --> 00:26:24,166
[PIANO PLAYING]

539
00:26:24,166 --> 00:26:24,166
[PIANO PLAYING]

540
00:26:26,669 --> 00:26:28,638
THERE'S SOMETHING
ALMOST MAGICAL

541
00:26:28,638 --> 00:26:30,673
ABOUT A PRETTY GIRL.

542
00:26:31,173 --> 00:26:34,143
HER SMILE CAN MELT
THE HARDEST HEART.

543
00:26:34,143 --> 00:26:36,779
AND SET THE THING AWHIRL.

544
00:26:36,779 --> 00:26:39,782
BUT PRETTY EYES
AND LOVELY HAIR.

545
00:26:39,782 --> 00:26:42,285
ARE THINGS THAT WILL NOT KEEP.

546
00:26:42,785 --> 00:26:45,788
SO I AGREE WITH THOSE WHO SAY

547
00:26:45,788 --> 00:26:49,292
THAT BEAUTY IS JUST SKIN DEEP.

548
00:26:49,292 --> 00:26:49,292
THAT BEAUTY IS JUST SKIN DEEP.

549
00:26:51,794 --> 00:26:53,796
♪♪ HERE SHE IS ♪♪

550
00:26:53,796 --> 00:26:56,799
♪♪ A PICTURE OF GRACE ♪♪

551
00:26:56,799 --> 00:26:59,302
♪♪ TWO VACANT BLUE EYES ♪♪

552
00:26:59,802 --> 00:27:01,804
♪♪ IN AN ASHEN WHITE FACE ♪♪

553
00:27:02,305 --> 00:27:05,308
♪♪ THOUGH SHE SEEMS
KIND OF STIFF ♪♪

554
00:27:05,808 --> 00:27:07,810
♪♪ AS AN EX-HUMAN-BEIN' ♪♪

555
00:27:08,311 --> 00:27:11,314
♪♪ HOW FAR SHE WILL GO ♪♪

556
00:27:11,314 --> 00:27:14,817
♪♪ REMAINS TO BE SEEN ♪♪

557
00:27:15,318 --> 00:27:15,318
♪♪ REMAINS TO BE SEEN ♪♪

558
00:27:18,321 --> 00:27:21,123
[AUDIENCE OOHS AND AHHS]

559
00:27:21,123 --> 00:27:22,925
♪♪ SHE'S CHARMING ♪♪

560
00:27:22,925 --> 00:27:25,194
THOSE COLORS!

561
00:27:25,194 --> 00:27:27,496
♪♪ SHE COULDN'T BE NICER ♪♪

562
00:27:27,496 --> 00:27:29,999
♪♪ WHAT A PLEASURE ♪♪

563
00:27:29,999 --> 00:27:32,001
♪♪ IT WAS TO SLICE HER ♪♪

564
00:27:32,001 --> 00:27:36,505
♪♪ SHE'S MAGNIFICENT,
EVERY OUNCE ♪♪

565
00:27:37,006 --> 00:27:40,876
♪♪ 'CAUSE IT'S WHAT'S INSIDE
THAT COUNTS ♪♪

566
00:27:40,876 --> 00:27:40,876
♪♪ 'CAUSE IT'S WHAT'S INSIDE
THAT COUNTS ♪♪

567
00:27:43,879 --> 00:27:47,616
♪♪ HOW EXCITING
IT IS TO SUTURE ♪♪

568
00:27:47,950 --> 00:27:52,688
♪♪ A BEAUTY
WITHOUT ANY FUTURE ♪♪

569
00:27:52,688 --> 00:27:58,060
♪♪ SHE'S MAGNIFICENT,
EVERY OUNCE ♪♪

570
00:27:58,060 --> 00:28:02,064
♪♪ 'CAUSE
IT'S WHAT'S INSIDE ♪♪

571
00:28:02,064 --> 00:28:04,066
♪♪ THAT ♪♪

572
00:28:04,066 --> 00:28:09,005
♪♪ COUNTS ♪♪♪♪

573
00:28:09,005 --> 00:28:11,841
WHOO!
YAY!
YAY!

574
00:28:11,841 --> 00:28:11,841
WHOO!
YAY!
YAY!

575
00:28:31,360 --> 00:28:32,862
GOOD OLD HELEN.

576
00:28:32,862 --> 00:28:34,363
TALK ABOUT
AN OPENING NIGHT!

577
00:28:34,864 --> 00:28:37,366
NOW, THAT'S WHAT I CALL
A HORRID BODY.

578
00:28:37,366 --> 00:28:41,370
WELL, I GOT TO GET BACK
TO MY WORKOUT, KIDDIES.

579
00:28:41,370 --> 00:28:41,370
WELL, I GOT TO GET BACK
TO MY WORKOUT, KIDDIES.

580
00:28:45,374 --> 00:28:46,876
UHH...

581
00:28:46,876 --> 00:28:49,879
OOH, I LOVE THAT BURN.

582
00:28:49,879 --> 00:28:51,881
AH HA HA HA HA
HA HA HA HA!

583
00:28:51,881 --> 00:28:54,884
CAPTIONING MADE POSSIBLE BY
WARNER BROS.

584
00:28:54,884 --> 00:28:57,887
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--

585
00:28:57,887 --> 00:29:00,890
PUBLIC PERFORMANCE OF CAPTIONS
PROHIBITED WITHOUT PERMISSION OF
NATIONAL CAPTIONING INSTITUTE

586
00:29:00,890 --> 00:29:00,890
PUBLIC PERFORMANCE OF CAPTIONS
PROHIBITED WITHOUT PERMISSION OF
NATIONAL CAPTIONING INSTITUTE